Other Work
Never before have things seemed so hard for Hispanics. The signals are stark and dire: A drowned father, cradling a dead daughter. A lone mother, defending herself against an armed Border Patrol agent, with a terrified toddler at her side. A diatribe hectoring whites to purge the country of a rising brown tide. A Walmart in El Paso, strewn with the dead. Caravans of the hopeful willing to suffer indignities, splinter their families, cower in cages, risk life itself for a distant dream.
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Times change. A century ago, Pope Pius X issued a pastoral letter against the tango, condemning it as degenerate, immoral, pagan. Today, Pope Francis insists that he likes it, that it lives deep inside him, that he often danced it in Argentina as a young man. Punctuating this striking reversal of opinion, hundreds of tango dancers flash-mobbed St. Peter’s Square on the pontiff’s birthday in December, twirling around on the cobblestones of the Via della Conciliazione in what the Catholic Church once would have called an obscene act. “I see the ‘tangeros’ are here,” Francis exclaimed, greeting the dancers with an amiable welcome.
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Y sin embargo, cuando Marie viajó a esta cima de montaña tóxica y poco oxígeno, conoció a Senna, una joven cuya pasión por la poesía y determinación para ir a la escuela contrastaban sorprendentemente con la miseria a su alrededor. Ella era ideal para “Girl Rising”. Marie completó el guión sobre Senna en la primavera de 2012 y el segmento se rodó a finales de mayo. Senna es la única representante de América del Sur en esta película escrita por 9 autoras sobre 9 niñas en 9 países de todo el mundo.
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“Now I’m a mother and a married woman,” begins Bianca, the narrator of this account, “but not long ago I led a life of crime. My brother and I had been orphaned. Somehow that justified everything. We didn’t have anyone. And it all happened overnight.”
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There are authors who write in tidy, classifiable, immediately recognizable genres — Jane Austen, Alexandre Dumas, William Faulkner, Gabriel García Márquez, to name a few — and then there are those who adamantly do not. These others can surprise us with story lines and settings that are guises to be worn and shucked after the telling. Masters of reinvention, they slip from era to era, land to land, changing idioms, adapting styles, heedless of labels. They are creatures of a nonsectarian world, comfortable in many skins, channelers of languages. What interests them above all in their invented universes is the abiding human heart.
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Now, in a twist straight out of a Saramago novel, a traveler begins long after his life is over. “Skylight,” a manuscript penned in the 1940s and stranded in an editor’s drawer for almost 40 years, has just been published in translation. In it, we see what Saramago called “the green that preceded the harvest” — the beginning of his brilliant, Nobel Prize-winning career.
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Nestled into the title of Haruki Murakami’s new novel are the words “Years of Pilgrimage.” It’s a common enough catchphrase for a coming-of-age story, and easy enough to dismiss as mere packaging. But as we peel the onion of this remarkable novel — as it takes us on a spellbinding descent through the rings of hell in Tsukuru Tazaki’s young life — that spectral phrase takes on new meaning.
Read MoreIf America has a Victor Hugo, it is Amy Bloom, whose picaresque novels roam the world, plumb the human heart and send characters into wild roulettes of kismet and calamity. Her best known work, “Away,” was an epic adventure set in the early 20th century. In it, a Jewish mother survives a devastating Russian pogrom, comes to America, becomes…
Read MoreOne of Nigeria’s newest businessman, a slave trafficker for the modern age said: “I will marry out a female at 12; I will do same for a nine year old girl like it was done on my own mother. . . . I am the one that captured your girls and I will sell them…
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